June 22, 2017 § Leave a comment
It is my pleasure to introduce Kat Lendacka, a printmaker from the UK. You can visit her shop at katlendacka.etsy.com!
Can you tell me a little bit about yourself and your journey with printmaking?
I am a printmaker and my favourite technique is lino cutting. I live in Northamptonshire, United Kingdom, with my family and a whippet called Spot. After studying Graphic Communications (Illustration) and working in the graphic design industry for some years, I gradually moved away from sitting at the computer all day to using my hands (although a bit of computer work still remains)!
I was born and grew up in Litomerice, a rather picturesque small town approximately 40 miles north of Prague in the Czech Republic. My first ever try at lino cutting was when I was about 13 years old with a retired art teacher and an academic painter, to whom I used to go for art lessons with several other youngsters. I wish I liked the man more! I might have done a lot more lino cutting! Next time I had a go was while a first year student of Graphic Communications (Illustration) degree at Northampton University. This time, I fell in love! Linocut images appeared in many of my student graphic projects as well as in the final major project.
It still took some years before it became my every day obsession due to a full time job, lack of space and then babies taking over my time and the house! In the last 3 years, lino cutting has taken over the dining room and conservatory which are essentially my make shift studio. It is also where I run very small workshops.
Where do you draw inspiration from? Do you use references for your work?
Inspiration for me is everywhere. While walking our dog, exploring the countryside with the children, day trips to old cities (Oxford being my favourite), visiting my old home town Litomerice which is adorned with the most beautiful old houses! Animals in the British countryside and some fabulous gardens (Coton Manor Gardens being my absolutely favourite place on Earth). There are also a few artists that I find mind blowing – Angie Lewin, Emily Sutton being a couple of them.
Your work is so detailed. What does the process look like for one of your multicolored animal prints?
In the last 2 years, I have moved away from only black and white (one layer) images to multi block lionocuts. I prefer this technique to reduction linocuts. Using various materials (Japanese Vinyl, soft lino and old flooring vinyls), I like to cut out shapes and play ‘jigsaw’! Usually, I stick to 2 – 3 colours.
How has business been these days? Are you working on any new and exciting projects?
What next? I am happy doing what I am doing, more images as they pop into my head. Grow my Etsy shop. Pluck up courage and try a couple of art fairs! Experiment with some more products. But most importantly, have fun (as my Uni teacher Ian Newsham used to say ‘if you are not enjoying it, you are doing it wrong!’).
June 17, 2017 § Leave a comment
Can you give me a little background on yourself and how you developed your unique style?
Hi, my name is Sally and I live in Brighton in the UK. I went to art school and took a degree in design and then a masters in ceramics in Cardiff, Wales. I was then awarded funding by the Welsh Arts Council to do a one year ceramics residency in a small town in Germany. I had already been doing a lot of drawing during my M.A. and had produced some kind of 3D assemblages with wood I picked up in the street and other items collaged together, and in Germany I continued with this, creating paintings of animals using some of the ceramics tools and techniques I was using on my pots too. I think working on wood is a little like decorating the surface of a pot, because its an absorbent hard surface that can be carved into or sanded back. I like that you can keep a design simple whilst still giving it depth in that way.
Why the use of reclaimed wood?
Partly I use reclaimed wood because I like the idea of turning old things into new and reusing something that already exists. From an ecological standpoint I think that’s a good thing to do. Also though I just really like the look of wood that has already had a life and looks a bit battered, so its also for the aesthetic.
My inspiration comes from animals, our two pets (a dog and a cat) but also from feelings and human emotion. I am really interested in facial expressions and what they do and don’t reveal and how human expressions do not always reflect our true feelings: animals and young babies don’t cover their sadness or anger with a smile or “put on” a confident face when they are nervous etc. That’s something that interests me.
I work as a facilitator on a great project at the Brighton Museum, which is about providing a space for marginalized artists – often people with a diagnosed mental health issue or learning disability to make art. This is a project that has been running now for several years and is very inclusive and person centered. People can pretty much create what they want there and I find that very positive and inspiring. For my own work, I honestly feel that every day that I can make art is pretty exciting – I feel like I have the best “job” in the world!
Have you worked on, or are you working on, any exciting projects?
Coming soon I think is a book that will feature one of my cat paintings. It will be written by Desmond Morris (a famous and respected sociologist and author in the UK and a painter himself). The book is called Cats in Art and is due out in September. I have also just finished taking part in an Open House exhibition with other artists at Bright Moon Studios in Brighton, which was a lovely experience.
What is life like as an artist in Brighton?
Life for an artist in Brighton is really good. Brighton has a large artist community and many galleries and events where you can show work and take part in open houses, craft fairs and networking opportunities. People here seem very supportive and interested in art and the city itself is close to London, with its major museums and galleries and also the countryside of the Sussex Downs and the wonderful seaside. Sussex has a long artistic history going back years and the Charleston House (home of Vanessa Bell) (@CharlestonTrust) and Virginia Woolf‘s house are nearby as well as the Ditchling Museum which showcases the work of significant local artists and craftspeople of the last century.
Thank you for reading and make sure to check out Mogg Shop on Etsy and get one of Sally’s reclaimed wood paintings!
June 17, 2017 § Leave a comment
I recently made the decision to start a page on Patreon for The Art Spectrum. For those of you who are unfamiliar with Patreon, it’s a website where creatives can build a community of patrons who fund their work. The money can go simply to supporting the creativity, or can result in special rewards for those who pay a little bit more. For The Art Spectrum this would mean more artist interviews and a larger community of readers and/or potential buyers.
It will look like this:
No reward, you just want to support The Art Spectrum!
You will receive a shout out as a blog patron in one blog post per month. This shout out will include one live link, to either your Facebook business page if you have one, your Instagram, Twitter, Etsy shop, website, and/or any other link that you provide.
You will receive a paid ad spot on The Art Spectrum indefinitely.
If you like what you see at The Art Spectrum, I would love to have you as a patron on Patreon! Even it’s just $1 a month!
One of my biggest goals is to make at least $125 a month – which will allow The Art Spectrum to live on its own custom domain, and it will allow me to pay a different underrepresented artist once a month for a guest post and every patron will receive a 25% discount on the artist’s work if they choose to buy.
June 15, 2017 § Leave a comment
Can you tell me a little bit about yourself and the development of your artistic style?
I was a high school teacher for several years before I began painting. I would say that I was always a creative person, from a musical and artistic family, but I didn’t begin painting till about 10 years ago. A good friend of mine and a very talented artist @kylahkussmannart began painting with me to help guide me through the loss of a pregnancy. I was immediately hooked on the magical feeling that arises from being the sole creative force behind creating a piece of art. I feel as though I progress daily in my artistic style but I struggle between the ease of creating abstract floral paintings and the freedom that abstract painting provides. I love interior design and how art can enhance and “complete” the look of a room.
Do you use any kind of reference for your abstract pieces?
I often try and picture my abstract art in a room in my home. The colours of blankets, pillows and plants in specific rooms will often inspire my paintings. I live in an old stone farm house surrounded by farm fields, a pond and ever-changing gardens which also influence my colour choices. We spend most of our summers up North on a lake, so my paintings often tend to take on the vibrant colours of the lake and trees in the summer months. Instagram also plays a huge role in providing inspiration for my paintings. I live with a chronic illness and often don’t venture out into the world as much as I would like to, so following artists, interior design feeds and travel photography on Instagram helps to spark my creative juices and be connected to a fabulous support network of artists.
Can you tell me a little bit about your mudcloth paintings and the process that goes into creating them?
My mudcloth paintings were sparked by the desire to provide a more affordable alternative to the typical (and gorgeous) mudcloth pillow or tapestry. I wanted to be able to incorporate the mudcloth trend in a unique way.
I was first attracted to mud cloth because it creates a touch of boho with handmade whispers of the clean geometric lines of a modern aesthetic. But when I started to research the process of creating this traditional Malian textile, I was drawn even more to the idea that each symbol creates a story that is meant to be interpreted and that it was believed that the mud cloth had the ability to absorb powerful negative experiences. As I create each piece, I think of my story that brought me to this artistic destination. I suffer from a chronic illness, but when I am able to create, I like the idea that the work of art can absorb my pain and dashed hopes and create a story of beauty.
Are you working on any new projects? How has your experience with Etsy and your buyers been?
I am currently working on a large floral commission and when I need a “break” I am creating mini abstracts inspired by all of my house plants and terra cotta planters mixed with my love of indigo blue and a pop of blush pink. I have been selling artwork on Etsy for about 5 years and all of my experiences with customers have been amazing. All of my commissions have been positive experiences and I am yet to experience a disgruntled customer. I was honoured to be a 2016 Etsy Awards Finalist, my work was featured in a collaboration by @houseandhomemag and @EtsyCA this spring, and I have been selected to be featured on @EtsyCA social media channels in celebration of Canada’s 150th birthday. Etsy has provided me with a platform to sell my artwork without having to leave my home (except to mail the artwork), which works for my energy level and family responsibilities.
June 12, 2017 § Leave a comment
It is my pleasure to introduce the wonderful Nessa Ryan from Tel Aviv, Israel ~ visit her Etsy shop at nessaryandesign.etsy.com.
Can you tell me a little bit about yourself, your shop, and your creative process (materials, thought process, etc)?
“I studied fine art and specifically sculpture in Ireland and also Rotterdam. After graduating I moved to New York and started to paint. I worked as an interior decorator and muralist and had my own art studio. I exhibited and performed with my band in many venues and galleries. I had a child and moved to Tel Aviv, where I started primarily to illustrate. I currently work as a children’s book illustrator and exhibit my illustrations. I work with paper, paint, ink, pen, markers..anything really. If I work on a book it is a collaboration, a dance of sorts, where sometimes the image takes the lead and at other times the text does. When I work on my own illustrations, my inspiration comes from everywhere..movies, poetry, books, memories etc. I love the meditation and process of creating an image , the excitement of colour and mystery of line. It is a wonderful world to be apart of. I joined Etsy to get a larger audience and try my hand at attempting to run a small business, I am afraid I am not a very business minded person, and have little time for marketing and promoting my shop, but every now and then I make contact with someone through the store and I find that valuable enough to keep my shop open.”
Where does your inspiration come from for the content of your work? Can you tell me a little bit about how your content and style work together?
“As I mentioned above, my inspiration comes from everywhere, I collect images in my head from just being awake ( and actually dreams are a pretty good source of inspiration, too). I do not like to take photos , so I suppose I consciously memorize something and know that it will appear if needed when I work. Most things evoke some sort of emotive response, and if not then an intellectual one. It is interesting to play with this and see where the idea decides to land.”
Is there any significance behind the oval shape that you use as a kind of frame for your illustrations?
“I wanted a free floating image, I think it seems less restrictive – it’s like an atom or a cell..it has its own energy/story in an infinite space (the page being the infinite space). The confines of the page size are irrelevant , as the page just becomes part of everything else around it. However, I am not loyal to any format, so things can change.”
“I am have almost finished my latest book, I am very excited about it, it was a collaboration between my friend and I. It is a Hebrew alphabet book, each letter is given a poem or a story, the writing is fantastic, it is philosophical, funny and sentimental, both kids and parents will enjoy the read. I found illustrating it to be a joy, as the text was so inspiring and free – children’s books can be so ‘safe’ this days and lack a juicy text, so it is rare to have this much fun illustrating.”
What is life like as an artist in Israel?
“I think it is the same as anywhere else. Life as an artist is intellectually and emotionally stimulating and financially devastating. If you are inferring that because of the occupation and violence here, then it maybe different, and it depends where you live. I live in Tel Aviv and I am Irish, so I can focus on raising my child and work. If I were a Palestinian living in Gaza or the West Bank, I would still be trying to raise my child and work, but on top of that I would have to deal with the ongoing brutal occupation. It is, for sure, a very uneven and unfair reality here.”
Nessa Ryan’s Etsy shop: nessaryandesign.etsy.com