February 27, 2017 § 1 Comment
I’m finally decided to branch outside of Etsy and start selling my work on Artfinder. I really like the site so far! It seems to be a really great community of artists, and artists are often buyers – something I wouldn’t have thought would be popular but seems to be. So far I’ve listed 6 works of art and have gained over 50 followers in less than a week, and someone has my barn owl painting in their cart already. I’m hoping this will be successful!
Does anyone else on WordPress have any experience with selling on Artfinder? If so can you leave a comment and let us know your thoughts?
Here are some other works of art that I’ve added to my shop:
February 2, 2017 § 2 Comments
Here at the Frick Fine Arts Library we pride ourselves on our artists’ books collection. For those of you who may not know what an artist book is, be my guest in explaining them! Each one is unique, sometimes made in editions like prints, sometimes “printed” by a press, other times not, cataloged in the library like books with a call number, often displayed in museums as art objects behind glass – each one may look, feel, or even sound different from the next (queue Keith Smith’s string book).
A few brave and creative souls have started selling their artists’ books on Etsy. I found these recently and thought I’d share!
Butterflies from TheMuseumShelves
Night from SignOfTheLadybug
Nachtmahr Box from buechertiger
Miniature Black Artist Book from PegandAwl
Book of Nonexistent Animals from HandmadeBook
November 12, 2016 § 5 Comments
“The conscious mind hungers for success and prestige. The unconscious mind hungers for those moments of transcendence, when the skull line disappears and we are lost in a challenge or a task —when a craftsman feels lost in his craft, when a naturalist feels at one with nature, when a believer feels at one with God’s love. That is what the unconscious mind hungers for. And many of us feel it in love when lovers feel fused.”
It is my pleasure to introduce Anne Corr from the Modestly Etsy shop. Her artist book inspired by Joseph Cornell inspired me to then interview her for the blog. Please make sure to give her shop some love!
Can you tell me a little bit about your work making artist books and where you draw your inspiration? When did you learn how to make artist books?
The quest of living our lives well is the inevitable journey each individual must take. It is the perpetual drive to retain the mystery and magic in a world that is sometimes inhumane, hostile. Sometimes life becomes almost unbearable in the moment. I have struggled to maintain my equilibrium in different phases of mine – my early twenties working in a pressurized commercial environment, my early thirties becoming a parent, my early forties learning to live with the loss of a marriage and forging a new future.
Since I was a child I have had a curiosity about how to live well. To me this is the question that philosophy tries to answer. And philosophers are interesting, but so are poets and gurus, and business leaders. Curiosity is the spring board to doing something, whatever it may be, it is about the opportunity to dig deeper, to investigate. The process of making my books chose me really. I have loved mining the minds of past thinkers – and current ones too – I think in an attempt to understand more about how to be human. That seems strange, since being human should surely be the most natural of processes. I don’t find that, I find it discombobulating, I look at behavior to learn from it. I know now I am not alone in that feeling of alienation from my own species, and writers and artists taught me that. I learnt from my early life that being a career girl disassociated me from what is most important to me. So I stopped.
A special friend who shared a lot of life with me when we were young parents once handed me a present of a handmade blank folded book. That started me off. I looked at this little piece of created loveliness, and wanted to fill it with something beautiful. I have it still – and it is still blank – I haven’t yet found its story. But it projected me into a new arena of creating, my book making journey had begun. All trial and error – I love to learn by doing, so I just made lots of books. Then family asked me to make them and I considered selling them. I had sold cards at craft fairs, but felt the books would get over handled – so I opened a shop with Etsy, and was thrilled when I made a sale! Then I found more encouragement when I went to a local Etsy meeting, and discovered teams, which opened up the Etsy platform. I find many of my customers are from the U.S.A and that amazes me.
One of my greatest pleasures in life is creating. To find yourself living that flow of easy ‘being’ when the mind and the body are occupied has to be the up there with the best things. I don’t care who you are, or what you have – this is the experience that tops status, recognition, fan appeal. It is really playing – and we in the Western hemisphere have somehow forgotten that play is how we began, and how children learn best. Learn to play, and you learn how to live well. Creating anything, from a cupcake to a spreadsheet, from a poem to an engine, is about that engagement of you with something else. And alchemy happens.
Every time I send something out into the world because a customer has ordered it, I get a frisson of excitement. Will they love it? Often I am lucky enough to get amazing comments and always feel incredibly grateful that someone has bothered to do that. I create in a very humble and small way – but it means something.
Can you give me some background information on the Cornell Book and what the creative process was like? What kinds of materials and processes did you use?
Joseph Cornell, the New Yorker, was a genius at bringing together ephemera, and producing assemblage art in a time when the genre wasn’t really considered art. A collector extraordinaire, inspired by the surrealists and dedicated to the care of his brother whom he cared for and who sadly died early from his condition of cerebral palsy, this gentleman produced items that inspired a new generation of artists and writers, and well, just people. His work inhabits the hinterland between the reality we live in, and the dreams we have, the inner realities that can sustain and sometimes seem more meaningful than the exterior lives we lead. And that is why I love him. And that love propelled me to produce my own small tribute to him. A mixture of images from some of his work mixed with my own journeys into unreality.
Are you working on anything new and exciting in the near future?
Am I working on something new – always!! Work is what propels me, but much of it is done in the background of my life. I continue to read, consume new information and to look. Staying curious is how I work and sometimes there are periods when all the productivity is hidden – nothing to show. I know that is just a period of gestation. I don’t consciously pick my subjects, they arrive. Questions arise in my mind and I research, or a customer asks me to produce a book on a subject I have given no consideration to – that’s how my book celebrating dogs came about. I have always loved sharing my life with my dogs, and it came very easily to me! Virginia Woolf was a subject given to me by a customer – she had wanted the Bloomsbury set but Virginia was louder than them! She arrived in my head and wouldn’t leave for quite some time.
I don’t make myself create a book from a subject, unless I am working to create an order. It is a sort of sideline to my more structured daily routine of illustration, where I try to make something of a contribution to living costs! I try to create something everyday for uploading onto my sites where I sell printed on demand product ranges – its practice, and some are more successful than others, my books are my indulgence really. I suppose like knitting for relaxation, they bring me to a different part of me, where I dream a little. I like the physicality of making something that has form – so much of my day is spent digitally on the p.c. I really wish I could enjoy the world of the kitchen, allowing my creativity to blossom there, but unfortunately for me and la famille, I tolerate cooking. Just. I love the part when I get to make the covers – each book is different, and I like playing with different materials, reclaimed mostly because I love the history of objects. I even like the packaging of my books, and I often finish the order by making it a slipcase, simply because I want to go on with the creation of something wonderful to open. Like treasure. I like adding beads, or textiles.
I am very interested in the past and one of my gestating projects is to produce a ‘girdle book’ , in the manner of a small book of thoughts, daily motivations worn hanging from the waist on a cord. I want to do a sort of modern day version of that.
November 9, 2016 § 2 Comments
October 13, 2016 § Leave a comment
Beasts and monsters like the one you see above were often depicted in medieval manuscripts, maps—like the Hereford Mappa Mundi—and even cathedral sculptures. The most prominent amount of these depictions can be found in medieval bestiaries, which we could say were a more romantic and moralized version of a modern-day encyclopedia of animals with pictures included. Although depicted alongside “real” animals, monsters and other fantastic beasts were often placed in their own category called the Monstrous Races, which were said to live on the periphery of the world in places beyond the known seas and in places such as Africa and the Middle East.
Often the beasts that were included in bestiaries were real-life animals, even if they didn’t always look like the real thing—but what can we say, monks didn’t get out much, and elephants were hard to come by in medieval Europe. At best you would hear a garbled description of an exotic animal from some adventurous traveler, or find some mention or illustration of one in an older text and then copy it. Fantastic and terrifying beasts often accompanied the “real“ animals, with lines of text that would guide a reader to become more knowledgeable about these creatures, especially in spiritual or moral ways, and often in as much detail as the “real“ animals.
Our library has a beautiful facsimile of Manuscript Bodley 764, our specific facsimile being called the Book of Beasts, from which these images come, and is often referred to as one of the most beautiful surviving copies of a bestiary. Other strange and fantastic beasts that can be found among its pages include the phoenix, sirens, satyrs, sphinxes, bonnacons—which “emits a smell from its rear end so terrible that it poisons three fields” (11), unicorns, eales, paranders, the charadrius, and more.